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Evheniy Barskiy

Born in Leningrad on May 28, 1950.

Born in Leningrad on May 28, 1950.

He was fond of drawing since childhood, and since that time relatives called him “our artist”.

In 1971 he graduated from Tavricheskaya Art School.

In 1978 he graduated from Institute of Painting, Sculpture and Architecture named after I.E. Repin at Academy of Arts of the USSR in the studio painting by Professor E.E. Moiseenko.

Since 1981 - member of the Russian Union of Artists.

Since 1995 - member of the Saint-Petersburg Academy of Contemporary Art.

Winner of the International Biennial of Graphic (Saint-Petersburg, Central Exhibition Hall “Manege”, 2004).

Creator of  several great sets and series: “Across Russia”, “Legends of Kamchatka”, “Venetian Suite”, “Star matter”, “Tests”, “Window blind”.

He organized more than 10 personal exhibitions, some of them at the Saint-Petersburg State University (“Epoch face”), at the Leningrad House of Journalists, at Smolny Cathedral, in Petropavlovsk-Kamchatsky etc. Healsoparticipatedinmorethan 150 groupexhibitions.

One can find masterpieces by Evgeniy Barskiy at the State Russian Museum, at Central Exhibition Hall “Manege”, at Museum of Contemporary Art “Erarta”, at Anna Akhmatova Literary and Memorial Museum (Saint-Petersburg), at Exhibitions’ Management Board (Moscow), at Ulan-Ude Museum named after T. S. Sampilov (Buryatia), at Petropavlovsk-Kamchatsky Museum, among collections of various museums and private collections in Russia, Italy, Israel, Finland, France, Switzerland, USA, China, Australia etc.

Barskiy’s quest akin to that sense of synthesis of modern civilization with the environment, which in terms of the space was named the noosphere. In his art, it is impossible to distinguish between the "bone matter" and it’s inspired condition.


As a result we face a new “real virtuality” which has more existence power than most examples of post-modernism.

Sergey Levandovskiy

 

Large forms presented in Barskiy’s paintings, powerful assonance, thousands of colors, dramatic direction and monumentality of idea visualization cause a sense of confusion and triumph.

Anatoliy Dmitrenko,
Honored cultural worker of Russia













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